Get Frank setlist no.1

I have decided to start doing ‘dry runs’ (um…less dodgy than it sounds I hope!) for when I do proper gigs. At the mo my voice is a bit sore so I can’t push it too much but hey…

What I plan to do is divide my songs into four song groups or ‘Get Frank setlists’. I also need to get used to my lovely new guitar!

This setlist involves one of my new songs (numero uno) followed by three ‘ole warhorses’

1. Cautionary Tale (apologies for my awful singing on this one…)

2. Disappointed in Me

3. Untitled

4. Whoops

On reflection….it is fairly obvious to myself that I should not have consumed wine before playing…therefore consume wine before watching!

Frank x

Christmas numero uno.

There’s one thing about christmas that has certainly lost it’s magic…

With the annual predictability of the number one made complete by ITV talent shows there is no excitement in that once all important battle for the xmas top spot.

This year Alexandra Burke, winner of the 2008 X Factor has broken records and shot to number one with her cover of Lenoard Cohen’s Hallelujah (+ Gospel Choir arrangement.)

The issue with Hallelujah is that the X Factor version is just a big fat showboat for it’s performer. Alex has an incredibly powerful voice for her 20 years but clearly has little life experience with which to fuel the emotion of the song. Hallelujah is not the song of a joyful winner and this is why I believe her version doesn’t work.

The production of the track is far too clean and detached: Karaoke with better backing vocals. The backing was not rerecorded for each X Factor finalist which means that any hope of ‘style’ that the acts might have cultivated for themselves would be buried beneath a non negociable tempo.

The ITV talent show has taken away the necessity of Xmas TOTP. How long before it removes the necessity for the Xmas chart full stop?

Frank. x

P.s- as I have been talking charts…

Got to no. 16 on the most watched uk musician youtube chart (day)

P.P.S

So far am no.67 on the most watched uk muso chart (this week)

My name in ink

When I was six and being ‘groomed for stardom’ by a weekend stage school the only ambition myself (and my mother) had was for my name to be up in lights on Shaftsbury Avenue.  Thirteen years later I have seen my name in super shiny ink and I couldn’t be happier.

On Saturday morning a bubble wrapped package lay in the hallway of my student house. On seeing the Channel 4 logo I realised the package was for me and spent the next ten minutes joyfully trying to work out how to actually hack my way through to the gloriously bright magazine inside.

It came as quite a surprise to me when I discovered that, despite not winning, I could still make an appearance in the winter issue of 4Talent magazine. I entered the wrong category, without preparing a proper portfolio or giving myself enough time to post hard copies off to Birmingham based 4 Talent Central. (Ironically I usually live in Birmingham for university but was in Kent working for the BBC when I discovered about the awards and it’s nearing deadline for entry.)

Reading through the magazine has given me inspiration for the future- not only because of the advice and professional insight provided by the contributors but also due to the fact that the age cut off for entering the awards is thirty. This means I have eleven years to get myself together!

Without realising, my first foray into journalism came on my16th birthday when I decided to make a documentary on the ‘chav culture’ of a local nightclub titled ‘Ikon or Pikon.’ When I showed this, and other videos to my year eleven form tutor he insisted I show them to the head of media studies and consider the subject itself for A level. I declined the option to study the subject however; I wanted to create media- not study it.

When it came to choosing University I decided to do a subject I could actually stick at for three years and enjoy. I went into uni thinking I wanted to be a theatre director. As I sat in a student union bar full of student drama fanatics I yearned to be in the meeting next door, where my friend was applying for a radio show. A few days later I found the studio and blagged myself a specialist music show. A few months later I was on the committee and in a few days time I will stand for Station Manager.

At first, trawling through online work experience applications and email rejections I imagined I’d never find a placement to set me on a broadcasting career path. I was of the opinion that to get work experience you had to have already had experience and the whole system was an impenetrable system. Now I realise you have to make your own. My way of doing this (again without realising it) was through writing and contributing to blogs and radio.

One of the great things about being a student is the freedom of having an interest free overdraft! I worked for BBC Blast, BBC Radio Kent, Myspace Radio and 4Talent over the summer and found myself owing a lot of money to the bank. The good thing about education is I have a while to pay it back, and as far as I am concerned, the more experience I get, the more likely I’ll be able to once I have graduated.

Recently my University held a ‘Breaking into Broadcasting’ event that I unfortunately missed. My friend, however, didn’t. “It was all scaremongering” my friend said, “They basically said there’s 100,000 British media students and 60,000 broadcasting jobs.” (both of us, not studying media, are not included in that 100,000.) Suddenly I was glad I’d passed up the opportunity to stay at home and write.

These days broadcasting has become increasingly focused on the ‘360’ of television, radio and online. I realise that it’s been three years since my debut documentary and now may be a good time to return to the moving image.

Since getting a Macbook with a built in camera and getting involved in the Internet Zombie Movie (which was referenced in the current issue of 4Talent magazine.) I’ve developed a keen interest in the way that You Tube works. How do you get subscribers for starters, and then how can you become a You Tube Partner and actually make earnings from your home made efforts?

This process I am aware, will not be as simple as creating a blog: I have no budget. My three year old camera makes a horrible whirring sound when I press record and all I really have is my Macbook, but something tells me I can do it…

Well I made it into 4Talent magazine didn’t I?

 

Viral stunts

Today I was thinking about my youtube  aim to get 100 subscribers before my 20th birthday. As of today I have one day less than a month and 7 subscribers to collect. It’s not exactly Bryony Makes a Zombie Movie in terms of ridiculously ambitious deadlines but to me it’s still a challenge.

So if you have any ideas or examples of people who have managed to lobby the usual system of gaining fans through talent and have simply used eyecatching tricks to gain support.

I was thinking maybe hold a sign in the town centre asking people to sub..or at uni, I’m not sure yet.

Wish me luck!

Frank x

Open mic-ing

Student life, it seems, is no longer about getting drunk, staying up all night chatting or going out on a whim.

As the christmas season approaches, so do deadlines and currently no one seems to be doing much socially which I feel is a shame as my dying kidney is back to happy and I can’t properly celebrate.

So today I’m off out to open mic at The Soak in Selly Oak as I’ve got nothing better to do (except um…work) and I’m going to play and probably leave…or stay depending on who is there.

The thing about open mic in The Soak is that only a few people are there for the event itself, everyone else is boozing, snooker-ing or gathered around the large screen watching some type of sport. Some will find this offputting, others will like that not everyone is examining them. I’m in between the two as on the couple of times I’ve played there before, I’ve been unable to hear myself playing and as a nervous newbie to the bussiness of gigging etc… I can’t even hear my own mistakes. This causes me to panic and make even more errors- so I act self-deprecating and laugh it off. No one will ever take me seriously until I do myself I suppose.

Tonight I’m going to play a couple of covers and a few of my own. I usually play originals but if you open with a cover people seem to settle a bit more. Their ears prick up because they’re trying to work out ‘what is that familiar-but not so similar tune.’ The eureka moment when they realise could lose their attention or retain it for longer, depending on the listener.

Will post a ‘set list’ and some you tube videos later…

The bar of geniuses and a new band

I have discovered Genius Bar for mac!

If any of you aren’t aquainted with this handy tool for itunes on Macs yet then make sure you have the latest version of itunes then click ‘genius’ in the left navigation bar. It will contact the itunes store and then after a minute or two you’ll be able to click the neutron kind of Genius bar logo on the bottom of the itunes window. To make it work select a song you really feel in the mood for on your itunes and when that is highlighted blue, click the ole neutron sign. Then Itunes will make you a nice playlist to go with that song.

So far I’ve tried it with similar songs, so the same artists keep appearing. Currently Genius bar ADORES Guillemots love song no.43, anything by Iron and Wine and/or Regina Spektor. I selected Braille by Regina Spektor this evening and got some nice stuff including Broken Social Scene, Sufjan Stevens and Minus the Bear

Today I found a band to play bass with which will be nice. I’m not the best bassist in Birmingham so I’m not sure if this band know what they’ve let themselves in for…I’ll um…improvise! The band are called Pyschonaut and kind of reminded me of Death from Above 1979 and My Bloody Valentine. They’ve got a couple of gigs lined up, including one in January and one at the Actress and Bishop in february so I might even get to play a gig!!!

Frank. x

Nature Boy, Open Mics, Burning hot and Laura Marling

I wrote a song with my friend Fuzz on sunday. I was teaching her to play Ukulele and as she learnt four chords I wrote a song using them and a story about a boy she exploited for the sake of art! Well not exploited exactly…but the picture she used him for got her artwork displayed in the Ikon gallery so clearly it was a love story worth singing about! I’ve done a simple keyboard version as you can see on the second video below. When I’m concentrating on playing my instruments my accent descends into Kate Nash territory however, apologies in advance.

I played this song at an open mic night yesterday with my boyfriend Chris. We also played Disappointed in Me and I performed ‘You Don’t Like Love’ on the guitar (it was originally on the uke) and we finished with Chris’ song Optimist which I sang backing vocals on. This is him playing the song in his room. When I first met him at an open mic I performed before him and as I sat on the stool I said “Well you’re all a bit optimistic aren’t you?” which made him decide to play it in his set, saying “Someone mentioned the name of this song earlier so I thought I’d play it!
I was hooked, so here it is… (at the top of the blog.)

Burnfm.com is now up and running! We’re in the first week of broadcast so not pushing too much marketing wise at the moment but listeners would of course be welcomed with open arms! I’m currently on air from 10-12 on monday mornings and during the same time slot on wednesdays. We’ve found a tech supremo who is going to develop our website, hoorah! Tonight I’ve got a meeting for Rhubarb. It’s important that I sort out my position within the community radio station as Burnfm+Uni is quite time consuming!

Finally I sorted out questions for my Culture Deluxe interview with Laura Marling. Unfortunately it’s an email interview which, despite saving on long transcribing, is hard to get right as I can’t pursue a subject or develop an answer. However, it’s been my dream to interview Laura for a while now so I’m still rather happy!

Frank.

continued from below

So I thought of something to say!….and then I forgot!

The brumlive photographer I’m working with tonight is the lovely-seeming (I’m making assumptions having never come face to face with her, but her myspace is cool and she sent me a nice message) Kate Snape.
I must say I’m also quite jealous because she’s my age (19) and she’s photographed loads of really cool bands so I’m looking forward to have a natter between acts. Also she taught herself and developed her own style of photography only a year ago so it gives me hope that I, one day, will actually be able to operate an SRL camera….or is that SLR…I think it’s SLR!!!
(Ask me what you like about mics, recordings, gaming, music, sound etc but I’m awful with camera knowledge.)
Tonight the first support act is Birmingham based Kate Finch who has got an acoustic-punk feel to her music. I’m looking forward to seeing her live because I think that she’ll sound fresher on record…would be interesting to see if she ever plays with a band when she’s live too.
Also playing are two full bands with punk-rock stylings, The Kamikazes and The High Society.
I’m having a listen to The Kamikazes right now and I’m getting really excited…It’s gonna be a high octane gig I think…I’d get out my skinnies if I had them!
Unfortunately I haven’t…(I’m the girl who bought skinny jeans 2 sizes too big to avoid muffin top…and therefore lost the skinny effect) So its another dress I think! (with some customisation of course!)
So if you’re there tonight please say hi, Ill probably have a button headband on my person. It’s my current signature
Frank. x