Why I moved my ‘big gig’

In my last post, I wrote about a ‘big gig’.

This post is to say that I have moved the gig to Roadtrip & Workshop in Old Street.

Basically I found the pressure of playing with people not necessarily similar to my style, in a large venue with the demand of bringing in a big crowd, too much at this stage in my ‘gigging career’ – I use ‘career’ loosely as a term, as it’s not necessarily an aim for me right now.

I also felt that perhaps the promoter wasn’t doing as much as possible to promote the gig – there was nothing about acts on his website, no official Facebook event (which is pretty standard these days) or mailing list. When I sent him a regretful email cancelling, explaining that I felt I couldn’t bring in the audience he needed and that I had been offered a gig on the same night in a smaller venue (and also offering what I considered to be a fairer payscale) he was clearly pissed off – and that’s ok. I feel bad for cancelling, however I previously felt bad that, despite my own promotion, it didn’t look like I could pull a crowd – but neither could he.

Let’s look at the figures briefly, by way of example:

At the gig, if you brought 15 people or more, you would get £15 and a £1 per person thereafter. The price on the door was £4. Therefore, you would take £15 and the promoter would take £45. I know that there’s a soundman to pay for etc… (venues rarely charge as they get bar takings etc…) but there’s also money from people in on the door who hadn’t come to see anyone in particular – and there’s no door split between the acts for that.

I am currently happy to play for free if there’s no charge on the door. But if I’m having to promote a gig and play a 30 minute set (with little or no promotion from the actual promoter), I think I have a right to earn more. At the same time, I really don’t want promoters to fail, and I’m very ‘green’, but I’m no longer 19 and so up for the exploitation these days.

Here’s a very recent song:

I’m going to invest in a better microphone and start recording and making more effort with my songs – if you want to help me with them, give me a shout…

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Disappointed in Me: the video!

I wrote Disappointed in Me back when I was in my second year of uni.

I guess I don’t really need to tell the story behind it as it’s pretty much all in the song (yes, ‘relationship upgrade’ were the words actually said to me, along with ‘well I’m very disappointed in you’).

So why record it now? Well, I might have written it when I was 19, but the situation isn’t uncommon for many women I know. Also, it’s ruddy good fun to play and my friend Reece was looking for something colourful to make a video around.

So here it is, Disappointed in Me on YouTube! (And for those who you who have asked me, it’s an excuse to see the ‘Get Flat’ too.)

You can get the track for free from my Get Frank Soundcloud now.

I was dead lucky to have Reece Lipman make the video for me as part of his new venture, Shimmer-man Productions. I felt really anxious about being in front of the camera again after an extended period of not doing much on You Tube and also because it was someone else filming me, rather than me filming myself, so I had to just trust Reece and make like a op star. Luckily, Reece made me feel really comfortable and I sang along to my own song so many times I got used to it pretty quickly! (I couldn’t properly mime so I quietly sang.)

In other words, I’d thoroughly recommend him if you’re looking for a music video producer/director!

I’ve got a gig!

I’m playing a four song set this Easter Sunday (31st March) at All Star Lanes in Holborn.

It’s for the 15 Minute Club and it’s free! So, despite being only a short set, it’s in a cool place where you can eat, drink cocktails and bowl. Plus there’s no work for most the next day so what more excuse do you need? Facebook public event here.

Listen to some demos on Soundcloud now or head to this post for some embedded tracks and a bit more about my recent attempt to play more. 

My amazing radio debut and other news…

Today at 1pm my first Amazing Acoustic show will be played on Amazing Radio.

I’m a bit worried about hearing my voice – it’s annoying at the best of times. I’ve kept links short and arranged back to back songs to avoid upsetting Amazing Radio listeners who are used to hearing only music (presenters have been only been on the station some evenings this week – and currently there’s just a few of us.) You can see the presenters here. We each have our own Amazing Tunes page so you can see what we’re listening to and playlisting – and leave us a comment.

Amazing Radio plays only unsigned music which it collects from Amazing Tunes. Artists can upload their tracks onto Amazing Tunes and have the option of purely streaming the tracks to potential listeners, making them available for radio airplay or selling their music for 79 pence. They get to keep 70% of money raised through such sales. Listeners can get their favourite Amazing tracks onto the DAB Amazing Radio station (also online) by tagging them, rating them and generally giving public kudos. The site has a chart too so users can easily see which songs are getting the best feedback.

Other presenters new to Amazing Radio include ex Head of Music/partner in crime Fuzz Chaudhrey, super cool Our Beat is Correct podcast producer Tom Cotton and Trevor Dann, former Head of BBC Music and chief exec of The Radio Academy.

If you miss my show today, it’s repeated Wednesdays at 7pm. I promise to improve as the weeks go on!

In other news, Un Coupe de Foudre, my friend Alex Buckmaster‘s short, no budget (and no time), Custard-Factory-Jay starring film is going to be played at Camden’s Roundhouse Theatre at the opening of their new cinema on the 18th January.

Happy weekend everyone

F

Get Frank are go…

Tonight myself and Nick play the Victoria. Here’s a video of Nature Boy that we recorded the other day during practice

I’m playing glock and Nick is on guitar tonight. I might play a little precussion, however I’m a rubbish multitasker.

Its £3 NUS or £4 without. 

Last night I played an impromptue set for visiting London based act The Rileys. According to my friend and Burn’s head of music, Fuzz, two of the guys from the band came into the Burn studio to mention the gig and asked if she knew a potential support act. Fuzz called me. I had to go it alone without Nick but It was great fun. I’ve played the Bar Academy with Pyschonaut before (on bass) but playng on a stool to people not there to see you is a different but rewarding experience….and slightly alienating when you have two of the headlining act cheering directly in front of you. As singer Joe said, “It’s like a private gig!”

Don’t forget you can download some of my demos for freeness here.

Hope you see you tonight – come and say hi…

Frank x