Jazzy Lemon saves the day!

I’d meant to take a picture of my outfit for The Prison Library single launch at the Cluny 2 last night but headed out the door without thinking.

I don’t take a picture of every outfit I’ve worn, but I wanted a picture because it featured a few items I picked up from the Metro Centre on Wednesday. (I’m also having a wardrobe clear out and am in the midst of deciding what looks good and what would be best placed else where!)

Luckily Newcastle’s staple music photographer Jazzy Lemon was out in force and happened to take a few snaps of me at the gig (which you can see below). You can check out the full album (amongst literally hundreds of thousands of rock and roll moments) here. There’s plenty of great shots of all the acts; this Sunday’s Amazing Folk Roots Show guest The Lake Poets, Let’s Buy Happiness in disc jockey action at the decks, soulful Indie four-piece Grandfather Birds and headliners The Prison Library, who managed to put fears about the departure of brilliant Frankie & the Heartstrings guitarist Mick Ross totally at bay.

Blazer £29.99 by H&M, cropped t-shirt £9.99 by Zara, skirt £11 by Primark, headband by Stone Bridge

I saw this t-shirt on Zara’s website and experienced one of those “HAVE TO HAVE THIS” moments where I wanted to leave my desk and flee to this shop for immediate purchase. I didn’t notice I’d picked up a larger size until I got home but I think it will still work tucked into skirts or with faux leather skinnies. The blazer is one of the comfiest I own and was a complete impulse buy when a band practice was cancelled last-minute.

Shoes by Office, socks by Primark

I decided to brighten up the muted colours, ‘chic-up the geek’ and raise myself off the floor by a good five inches with my Office platform heels. I got these in 2008 when I was paid for my performance in Days of Hope by Howard Goodall at Birmingham’s MAC theatre. Although most of the money went on student rent and a new electric piano, I just couldn’t resist these. They made me at least as tall as most of the audience which meant that I could comfortably see the bands for once!

Satchel by New Look (all photos by Jazzy Lemon)

I’m starting to get rather impatient for Spring to arrive now. I’m resisting hiding in big coats and layering cardigans and my unlined parka in an attempt to be ready lest we be treated to a sunburst or two. Tomorrow I’m heading off to Tynemouth (a bit of the coast to any Southerners reading this) so I’m hoping to find a treat or two. I’ve never been before, but I’m gagging for some good ole seaside chips!

Thanks again to Jazzy Lemon for letting me use her photos!

We gave you. All of our. Time.

Hello darlings, Frankie Ward here having a relaxing night in!

Although do bare in mind that relaxing for me tends to mean writing for you! (Aren’t you the lucky ones?)

Ahem! Forgive my seemingly arrogant words – I’m just in a jolly mood. My laugh has got a lot louder recently (I think it must be my new beanbag!)

So you’re reading this because of the gig I went to yesterday? Or because you’d like a sneaky peek at me attempting to take pictures of myself?

If you’re looking for the former, then you’re in luck! Last night I popped down to the Cluny 2 to see American happy rockers Fang Island play alongside local acts Holy Mammoth and Cult Image.

I’d seen Cult Image play a mere matter of days before this gig so I knew to expect Joy Division-esque post punk songs of insightful words and intricate guitar melodies. Once again, I was not disappointed. The band were reliably on form, with the venue providing better acoustics for singer Sean’s voice over Newcastle’s Discovery Museum (the site of their last live appearance.) I especially like Sean’s voice. It’s deep and edgy, but doesn’t lack warmth (despite the dark stylings of his songs.)

At Generator‘s NEw Wave Transmission event one panelist remarked that the band needed to write their own ‘Love Will Tear Us Apart’. Now I could imagine that the band would work with some keys (adding some brighter tones to the guitar/bass/drums/lone vocals mix) but surely that would be too derivative of the band’s clear influences. It might be controversial to say, but maybe the restrained occasional backing vocals and even a melodica part might make things really stand out… (I say melodica because Gorillaz used it to such effect on Clint Eastwood, and I wonder if it’s potential for creepy tones could work for the band’s music.)

At the same time, I don’t really want you to change Cult Image, because I really like you!

Before the gig kicked off I chatted to some of the guys from second act Holy Mammoth. They briefly mentioned concern about how their soundcheck went, but any issues were clearly resolved by the time the band took to the stage. Holy Mammoth are one of those bands who grow with every performance. There’s a sense of unity between band members that can be rare on the live circuit and it makes for compelling viewing.

And that’s before you get to the songs!

One of the things I really appreciated about last night’s gig was that for once, singer Andy’s vocals were clearly distinguishable above the well mixed instruments. Perhaps it’s because I know and appreciate the songs, but I can now seemingly nod every kick drum inflection, wiggle my fingers along to the guitar hooks and nod my head to the driving bass lines of set favourites such as Suggester and Weathered.

The band had to cut things off a disappointingly two songs early (I estimate) due to technical issues with a guitar, but it was a sterling performance all the same. If it weren’t for the burgeoning desire to see Brooklyn’s Fang Island, I could happily have watched the Mammoth boys for a lot longer.

Fang Island hit the stage complete with flamboyant outfits (colourful, oversized hoodies), cleverly coordinated, contrapuntal guitar melodies and an absolute lust for life on the stage. Infectious, joyful and spontaneous, the five piece were an absolute,(exhausting), delight to watch. They don’t call them ‘explosive happiness’ without reason!

I’m having an early night now! But I’ll be returning to the Cluny 2 tomorrow to see The Winter Hill Transmission supporting Elliot Brood.