It’s come to my attention that the next two weeks are going to be rather treat-packed for live music lovers in London.
On Wednesday 8th February Tom Williams & the Boat play the Jazz Cafe in Camden.
Although Tom & co are supporting their next release with the help of Pledge Music, Moshi Moshi have been providing solid support for the band of late, providing them with a juicy support slot alongside Sweet Baboo and Spector at Slow Club’s recent Shepherd’s Bush Empire gig. With a new album on the horizon and a brooding, upbeat single, My Bones, receiving regular airplay on BBC 6 Music, it’s a gig I’m especially looking forward to.
Joining the band on the lineup are Two Wounded Birds, Fiction and Becoming Real. Don’t miss it.
I left Newcastle less than a week before Huw Stephen’s curated an epic lineup featuring Let’s Buy Happiness and Grandfather Birds (I was SERIOUSLY gutted to miss it), so I’m properly chuffed to get to go to one of his nights at last. Worried about spending the commonly dreaded V-Day with a partner in the fear of typical cheesy activities? Surely a gig is the only way to go… As for single little me, I’m going to dress up for me and the music. In Vinyl Jacket’s case, judging by brilliant new single Red Light, this should involve a Hawaiian shirt with a neon flower print.
Fran’s been working with Mick Ross of Frankie & the Heartstrings on a new EP, Childhood. The first single release from it, A Footnote to Love (part one) has just been made available on Bandcamp and is being released by the Heartstring’s Pop Sex Ltd imprint.
Mr Ross is known for his ability to bring the best out of the acts he works with, be it Waiting for Winter or Let’s Buy Happiness so I’ll be waiting for the rest of the recordings with a haughty impatience… or at least heightened anticipation anyway.
I’ve seen Fran play many times, in multiple environments. From the darkness of the Cluny 2, to the intimacy of Osbourne Valley’s Blank Studios. He’s always mesmerising. The elevated, occasionally stuffy, always sticky Bull & Gate venue will be a new challenge. I wonder if it’ll be just Fran and his guitar and keys or if he’ll be trying to bring others again like he did in the above performance for the Roundhouse Rising festival. The Bull & Gate is a venue that I’ve seen work for some bands (Shields and Holy Mammoth worked the stage like pros, but their supports didn’t necessarily fare so well), but as a solo artist Fran will need to stun the room into silence for everyone to appreciate his delicate material. But I’m not worried. It’s what Fran does best.
As always, share your gig tips with me on Twitter!