Turn up. Trade in. Help Out.

I admit that I feel like a bit of a thief, what with stealing the following from the Amazing Radio blog! But it’s pretty cool news, and hopefully will get more people listening to DAB digital radio. All digital radios come with FM recievers (some AM too if you’re that way inclined) and there are some great quality stations available such as BBC Radio 6 Music and of course, my new employers Amazing Radio.

So Spread the word… and get listening!

Radio Amnesty – Because you’re worth it

Friday, May 21st, 2010 | Kevin Read | Blog

You’ll hear some ads on Amazing Radio from tomorrow. We’ve not carried ads since our Amazing Christmas campaign but this is another great initiative designed to get you a cheaper DAB radio whilst opening up a world of opportunities to children in South Africa.

Radio Amnesty 

The lovely people at getdigitalradio.com are offering an amnesty on your poor old radio. The plan is simple, you trade in your old radio and get a discount on a snazzy new DAB radio from one of a host of retailers. For more information on the amnesty and how it works, head on over to http://www.getdigitalradio.com/digital-radios/radio-amnesty where you’ll also find details of how the scheme will help the Children’s Radio Foundation and UNICEF in Southern Africa.

You need this unsigned music in your life…

As all of the acts featured on this post are unsigned, their recordings vary in quality. Therefore get ye to one of their gigs before you make a decision on whether you’d buy a properly produced LP. I’ve always felt very passionately about giving acts a chance in a live environment, as it tends to be more of a testament to their songs and musicianship. For example, many can get access to Garage Band, but not everyone has the money for Logic. When I watch a musician play their own music I know fairly early on into their set if I want to invest in their songs. I also feel cheated when I’ve heard a fabulously produced record, but been spectacularly disappointed with the act onstage. The only type of music I can think of that is not intended for live performance tends to be found in a lift, and last thing I heard, ‘elevator music’ was hardly up there with the greats…

So here are some acts I recommend investing in tickets and travel for. (By all means listen to their demos, but please don’t think of them as the finished product):

Jake Flowers – Bluesy, beautiful, delicate finger spun melodies with understated, sultry vocals courtesy of Shropshire born Flowers. Drums and bass give a welcome added kick whilst lyrics are effortlessly fascinating. Utterly charming, scarily talented.

If you like… Ryan Adams, Johnny Flynn and the Sussex Wit, Mumford and Sons …you’ll love this!

Brilliant Mind – Newcastle bunch who blast out Johnny Marr inflected guitar riffs combined with self depreciating Morrissey-style lyrics without turning into a Smiths pastiche (although I just made them sound like one.) Features divine contrapuntal layers of guitar and organ melodies. Incredibly charismatic as a live act.

If you like… The Smiths, Young Knives …You’ll love this!

Ever Since the Lake Caught Fire – Newcastle rock orchestra with trumpets, occasional female guest vocals, splatterings of saxophone and lashings of indie pop goodness. A force to be reckoned with when live and always a joy to behold.

If you like… The Arcade Fire, Broken Social Scene, Modest Mouse …You’ll love this!

Holy Mammoth Amazing Radio DJ Tom Cotton’s third favourite band (after Radiohead and The National.) A live act that bursts with onstage chemistry developed from years of friendship and experience from touring under different monikers.

If you like… GOOD MUSIC …You’ll love this!

Another thing about Skins.

A year or so ago I wrote a blog post questioning the content of the trail for the ‘next generation’ of Skins, aka series three. It wasn’t particularly approving, perhaps because I was a tad sensitive about a fireworks-in-a-night-club disaster and the fireworks-in-a-pub-lark of the ad (that debuted a few days later) felt a tad insensitive.

It’s testament to the popularity of the show that according to WordPress, that post was one of my most read.

I haven’t blogged properly for a while. I’ve been busy. And somewhat unmotivated – should I be writing this when I have so many other things to be writing. Personally I think that of course the answer is yes; that if something affects me deeply enough then I should rush to my macbook, flip it open and type away. But then other people might be writing and I’ll be saying nothing new – it’s exactly the same with your typical undergraduate essay. At the end of the day, you do it anyway.

So quickly I’ll address the BBC 6Music debate. What this should tell the BBC is that the station needs development and a bit of TLC – and then more people will tune in. They should consider this publicity as good and gain a bigger picture of what people want and expect. Commercial radio is nothing like BBC radio -and thank goodness for that. Although sometimes I feel that the Radio 1 playlist is too similar to sister station 1Xtra and requires a tad more diversity (which is beginning to seep in again with the likes of Mumford & Sons etc,) oh and requires DJs rather than personalities/TV presenters, for me there should be no question of whether 6Music should stay or go. Of course it should stay, and of course all the people who claim to support it should go out and buy a digital radio (or stick a bookmark to the online player in their browser.)

I shall talk about the plans to axe BBC Blast in a post sometime soon – or will post something on 4Talent’s blog. I have been part of Blast. To be blunt, it would be a disaster for thousands of people like me. Opportunities are hard to come by, Blast vastly multiplies them.

Anyway. Back onto my former topic. At the beginning of tonight’s Effy centred Skins episode, the penultimate of series 4 and the current ‘generation,’ I said to my housemate “I’m not sure if they’ll recommission this.” Not because I think that they shouldn’t, but simply because with each new generation of cast and characters, the concept will become more and more watered down. The original viewers will grow older and perhaps further away as they become less satisfied with characters they no longer consider ‘classics.’ Added to this central characters Naomi and Pandora (sob) have not had their own episodes this year (budget cuts at C4) and fans may be unhappy with this.

Tonights episode was a slow burner. How does one deal with mental illness but retain the usual Skins ‘sheen’? (which is more of a layer of fabulous grime and a hint of smoke.) How do you try and settle the love triangle of Cook-Effy-Freddie once and for all without repeating former narratives? How do you literally make the audience sit up from the calm pace of an occasionally stilted episode and beg for the finale?

In the case of Skins co-creator Jamie Brittain, you take a tip from Dad and you force them to. I still feel slightly dazed, sickened even by the final moments of this evening’s episode. I used ‘sickened’ in place of shock – really I should say shock, but I’m the easily scared type. If you’ve not seen the episode then don’t read on. If you’re not planning on watching and I can’t convince you to then read on and then watch it (4od.)

At the end of the episode we were presented with a typical ‘Freddie-confronts-a-character’ scene. Only, when Freddie tried to leave confronted character’s house (Effy’s creepy counsellor who was somewhat reminiscent of Tony’s admissions tutor in his episode of series 2) The homeowner walked up the stairs towards the tiny landing Freddie could not escape from (locked door) with a pristine, white baseball bat. Cut to white door, frosted glass doorframe. Yells, thuds, bloodsplatter. Silence.

I sat on the sofa watching this and couldn’t move, just for a moment. Although there have been deaths in Skins (the wonderful Chris in series 2, Sid’s father; both beautifully written moments, and of course Sophia in the series opener which I was involved in the filming of,) This however, was something entirely new. There has been an element of choice in the previous deaths with suicide, avoiding medication and hedonistic lifestyles playing a major factor. Murder is something entirely different, a completely original element thrown into the mix and something that could possibly save the series from being known as the least engaging of the four. What was particularly interesting about the last moments of the episode was the trail for the final episode. It seems that Freddie’s 20 year old sister Karen, will be the focus. Karen featured far more heavily in the previous series and I do feel that the final episode will benefit from her return – it also means that the final episode of series 3, which was another love triangle centred episode is unlikely to be repeated in a different format.

I for one will certainly be glued to the TV come next Thursday!

My amazing radio debut and other news…

Today at 1pm my first Amazing Acoustic show will be played on Amazing Radio.

I’m a bit worried about hearing my voice – it’s annoying at the best of times. I’ve kept links short and arranged back to back songs to avoid upsetting Amazing Radio listeners who are used to hearing only music (presenters have been only been on the station some evenings this week – and currently there’s just a few of us.) You can see the presenters here. We each have our own Amazing Tunes page so you can see what we’re listening to and playlisting – and leave us a comment.

Amazing Radio plays only unsigned music which it collects from Amazing Tunes. Artists can upload their tracks onto Amazing Tunes and have the option of purely streaming the tracks to potential listeners, making them available for radio airplay or selling their music for 79 pence. They get to keep 70% of money raised through such sales. Listeners can get their favourite Amazing tracks onto the DAB Amazing Radio station (also online) by tagging them, rating them and generally giving public kudos. The site has a chart too so users can easily see which songs are getting the best feedback.

Other presenters new to Amazing Radio include ex Head of Music/partner in crime Fuzz Chaudhrey, super cool Our Beat is Correct podcast producer Tom Cotton and Trevor Dann, former Head of BBC Music and chief exec of The Radio Academy.

If you miss my show today, it’s repeated Wednesdays at 7pm. I promise to improve as the weeks go on!

In other news, Un Coupe de Foudre, my friend Alex Buckmaster‘s short, no budget (and no time), Custard-Factory-Jay starring film is going to be played at Camden’s Roundhouse Theatre at the opening of their new cinema on the 18th January.

Happy weekend everyone

F

It’s burn a while!

Hello!

It has been a while hasn’t it? I’ve graduated from Channel 4, returned to University, proceeded with my court case (still waiting for a date but have received the ‘defence’) and got a radio station back up and running.

This Freshers’ Week was the first time Burnfm broadcasted outside into Mermaid Square. We weren’t allowed to broadcast into the Societies Fair but we did get to have a small speaker in the corner of the Sq. Although small we did get some lovely comments from the people in the square and got to have fun running around trying to find guests. It also gave us the chance to open up Burn’s doors to our fellow societies and sabbatical officers (who did an awesome job throughout the week, particularly Emma Packham the VP Student Activities and Development, Fabian Neuner, Guild President and…. heck all of them! Katie Ford, VP of Sport was brilliant to interview on air – she’s a natural.)

After a successful Burn introduction meeting (which featured legal training from wonderful University lawyer James Piggot) we managed to get down to training. This year, rather than train people in large groups (and a very small studio) we devised a training rota, training smaller groups (ranging from around 1-5 people – last year it was around 20 at a time.) We decided that DJs had to have both legal and studio training before going on air – so even past DJ’s had a refresher and more in depth legal training than ever before. I’m also planning on sending out a feedback form shortly so we can develop this further.

On Monday we went on FM for the first time since Spring 2007 (before I was even a student.)

On Wednesday members of Midlands student radio stations joined Burn at the Guild for some informative Q&A’s from the West Midlands branches of  Galaxy FM and Heart. They gave loads of advice about being on and off air – and I’m hoping to get some more experience soon. Deputy Programme Controller of Heart West Midlands, John Collins also popped into the Burnfm studio with weekend breakfast presenter Matt Jarvis to give Burn DJ Rob Watts the shock of his life! Rob, being the trooper that he is successfully managed to involve Matt and John in the conversation (about 500 Days of Summer.)

In the evening we headed over to TC’s, an undervalued Selly Oak establishment to hear the nominees for this year’s Student Radio Awards. We hadn’t entered a great amount and weren’t nominated however you still have to consider that we’ve still not been long on air. Perhaps surprisingly for me I’m not at all bothered! In fact, I had a ruddy brilliant time! The ‘Social Sams’ (Sam Cowley and Sam Willet, Burn’s Head and Deputy Head of Social) organised the evening party and looked after me rather well. Willet infact described me as being ‘amazingly happy.’

It’s pretty obvious, but I’ll say it anyway, Burn wouldn’t be Burn without the committee. There have been times when people have been telling me to give it all up and maybe I would if it were not for them. Next year, once a new committee has taken our place I hope we have ex committee socials!

Our current ‘big challenge’ is to get Burnfm played in venues around the guild such as Joe’s Bar and Spar. Now we’re on FM, Spar may be possible (but I want to finish the week so I can make sure that everyone is ready.) A motion was passed in Guild Council to make sure that Joes Bar play Guild TV on its TVs and to make sure that Burn is also played. We don’t mind if this is not full time – (the saying ‘Rome wasn’t built in a day’ comes to mind) however if Guild Council has decreed this, surely it should happen? Students have said it’s okay, many Guild staff have also said they think it should happen – it’s the Venues team that haven’t agreed to anything.

If the Guild is for Students then why is it being run (in some places) entirely as a business? Students were lead to believe that an event featuring Calvin Harris would feature a live performance from the pop star (and they paid £10 for the privilege.) Instead Mr Harris arrived at approximately 2am and played a DJ set (his third event of the evening.)

I saw a fantastic DJ set at the Guild in my first year – it was the fabulously talented Zane Lowe and was part of the Guild Awards afterparty. (I paid £6 for both Guild Awards and aforementioned party,) so surely when one pays £10 to see someone, they expect them to do more than just plug a couple of laptops in? Why would you want to see a DJ play their own voice loops? (The word ‘tragic’ comes to mind.)

I also have a serious issue with Guild Venues as they dislike direct contact with me. I decided to pay them a visit to ask if a full building event would be occurring on Tuesday as the original act had been cancelled and I’d just heard that Simon Bird of The Inbetweeners would be doing a show. The reason Burn needs to know about events in the Guild (and I would say more than most other societies do) is because sometimes these events mean that DJs are not allowed to enter the building to do their show. Now these DJ’s pay for the privilege of broadcasting. It’s also hard for them to build up any kind of following when the schedule is disrupted. Some events mean that we can’t broadcast from the studio, and others still let us – this is what we need to know. Looking at a poster does not tell us this. The same with if a full building event is cancelled. I need to know so I can reinstate the DJs for the evening.

Right, rants over! It’s Peep Show time!

Frank x

ps

Redbrick editor Nick Petrie has helped give the Redbrick Online website a complete (and seemingly Guardian online inspired overhaul) – it’s looking rather fantastic so be sure to check it out.

SR AYYYY

 

This is an entry for the Student Radio Awards (Best Student Radio Station.)
It took me bloomin’ ages as we didn’t have many recordings…I’ve been rather pedantic and reorganised all the files on the production computer.
It would be amazing to get nominated as we’ve worked ‘rather hard’ (to put it lightly) this year – however I listened to stations such as Warwick’s RAW recently and they’re all amazing.
Next year we are going to have to supervise the broadcast constantly so I’m having to enlarge the Burnfm committee to around 25. We currently have around 20 committee members and 171 members. This means that I am ‘in charge’ of 170 people. My big issue currently is that the university ignore the fact that I pay a lot of money to do a degree at their establishment and the ‘daily mail’ incident that occurred last year was no one’s fault (except the two boys who are no longer members.) I’m quite tempted to publish the email I was sent by one of the Uni lawyers as it was rather disagreeable but I’m going to wait until I receive further messages and have more meetings before making that decision. Usually I just publish my own on this blog but sometimes I get so frustrated its tempting to just say ‘what the heck’ and copy and paste…

 

Operation Mousemat

Today in the Burnfm studio I came up with…an idea!

Basically in the OLRC (library on the Selly Oak campus) there are old mousemats next to every computer. These were sponsored by a now defunct computer company called DCS plc. My idea is to replace these mousemats with Burnfm.com mousemats. It’s a hugely ambitious idea, even if it doesn’t sound like it (I mean mousemats for goodness sake!) However mousemats are not posters – they are likely to last for a few years at least and remain where they are. They will be next to the computers, hopefully inspiring people to listen as they work and they will also imprint Burnfm’s name and image firmly in people’s minds. There are students who haven’t heard of us.

If we can get Burnfm mousemats into at least the Main Library and the OLRC then we will definitely be reaching out to people. Then if we can branch out to the other 7 computer cluster areas we’ll be getting somewhere.

If anyone has any idea who to approach about this, be it through printing or in terms of who to approach at the Uni (I really don’t know, but have tried emailing the IT services as a start…will talk to the Main Library staff in person as soon as I can.)

Budget wise I know that unless we get some kind of sponsorship, we won’t be able to get enough mousemats, but ideally I’d like to start at 500 and see where we can go from there…

Any ideas give me an email at frankiepromotes@googlemail.com or comment….

 

Thanks!

Frank x

If you see Atom/Business Time/Get Frank’s first gig

…I sent an email to Adam of Atom and His Package and got a response!

Apparently my email asking the retired musician to come play in England so I could sing on track ‘Head (she’s a)’ made his day, but unfortunately he has no plans to make a trip any time soon (or ever it seems!)

In other news I’m still searching for judges Burnfm‘s BOTB and getting messages from interested acts. Burn is sounding pretty er… ‘hot’ right now and I’m rather chuffed with everyone involved and their hard work.

I’ve got lots of work atm but I can’t help myself from watching Flight of the Conchords constantly! The new series is on Youtube…and I’m a tad obsessed. I even played ‘Business Time’ on my radio show on friday. 

MOST IMPORTANTLY!!!!

I’m playing my first gig as Get Frank on thursday at the Victoria on John Bright Street (behind the Alexandra Theatre in Birmingham.) It’s a Bohemian Jukebox in the City event organised by musician Ben Calvert. I’ve recruited friend/ Burnfm Head of Specialist Nick Mannix to play guitar for me so I don’t completely crack! I may play something aside from singing but haven’t decided yet. I really need to find someone to do precussion and someone to play glock and keyboard but haven’t got any takers as of yet. I should probably advertise but haven’t got a clue where to start…..

Get Frank poster

 

PLEASE COME! Any Q’s just email me or comment…

Frank x

frankiepromotes@googlemail.com

Burnfm…back with a band?

A couple of days ago I finally decided to GET ON WITH IT!

‘It’ being the first Burnfm.com Battle of the Bands. We’ve scheduled it for the 26th March (thursday before term ends.)

I’m currently on a desperate search for the organisers of Vale Fest so that I can negociate a slot on one of their stages for our winner. I also need to find some willing judges who are passionate about finding new and up and coming talent. I feel it is important for people to show their enthusiasm for Birmingham produced music as this is one of the issues raised by organisations such as Gigbeth.

We’re looking for about 5-10 acts. The amount of songs they play will depend on how much interest we recieve. If we have 10 then I’m currently pondering whether to get them to play one ‘crowd pleasing’ cover and one of their own songs (so the judges can really pick up on whether they have that ‘special spark.’

I’m going to have talks with members of Rock Soc, Indie Soc and the newly launched Band Soc to try and see how the event will work and how to get people involved….

Any ideas please comment or email me

On other Burnfm.com stuff we’ve been back online for nearly a week and finally have some stings and beds in place which is lovely! We’re going to sort out more marketing and start talking…!

The most important thing to get off the ground is the computer system which our Tech guy, Michael Barton has built us an automated playback system. He just has to correct a bug in the program and then we’ll all be able to put music on the system and really get things off the ground.

HURRAH!

Frank x