Get Frank setlist no.1

I have decided to start doing ‘dry runs’ (um…less dodgy than it sounds I hope!) for when I do proper gigs. At the mo my voice is a bit sore so I can’t push it too much but hey…

What I plan to do is divide my songs into four song groups or ‘Get Frank setlists’. I also need to get used to my lovely new guitar!

This setlist involves one of my new songs (numero uno) followed by three ‘ole warhorses’

1. Cautionary Tale (apologies for my awful singing on this one…)

2. Disappointed in Me

3. Untitled

4. Whoops

On reflection….it is fairly obvious to myself that I should not have consumed wine before playing…therefore consume wine before watching!

Frank x

Skins: Courting controversy for the sake of it?

This is the first full trailer for teen focused drama, Skins.

The third series will focus on former lead character Tony’s sister Effie, and her friends. I’m looking forward to a casting change as I felt that the former characters lacked something (um…realism?)

Skins is one of those marmite programmes. I personally find it irritating, completely unrealistic, often poorly scripted, (the line “whoa nice swearing!” haunts my dreams…) and yet still utterly compelling.

The very first trailer for Skins a couple of years ago mixed semi naked revellers, sexual activity and lots of booze. The new trailer, as above, is oddly full of violence and more of the expected ‘aren’t we cool’ posing.

In the original series Effie, who at first appeared to be a dedicated privately educated school girl (but actually spent her evenings out partying) was involved in one of the more interesting plot twists concerning her adventure filled evenings out and her brother’s part in her double life.

This advert is probably nothing to do with the series, bearing in mind that the characters are just sixteen (!) It reminds me somewhat of the scene in Trainspotting when Begbie throws a glass over a balcony just because he feels like fighting. That however is not a scene that takes place with 6 posh teenagers in a Bristonian pub!

The second series took advantage of the fact that most of its cast had turned 18 and were legally allowed to flash more than before…one of the production team even wrote about having to film certain scenes late on in the schedule because they were waiting for a cast member to come of age. If they couldn’t shock with the partying, booze and drugs of the previous series they could fill it with sex and they did, usually with one sex scene per episode- Skins therefore telling teenagers not only how to party but how to ‘do it’ as well…

…what ‘how to’ will series three give us? How to draw blood without displacing elaborate hair?

Frank.

(HAPPY NEW YWAR!)

x

Christmas numero uno.

There’s one thing about christmas that has certainly lost it’s magic…

With the annual predictability of the number one made complete by ITV talent shows there is no excitement in that once all important battle for the xmas top spot.

This year Alexandra Burke, winner of the 2008 X Factor has broken records and shot to number one with her cover of Lenoard Cohen’s Hallelujah (+ Gospel Choir arrangement.)

The issue with Hallelujah is that the X Factor version is just a big fat showboat for it’s performer. Alex has an incredibly powerful voice for her 20 years but clearly has little life experience with which to fuel the emotion of the song. Hallelujah is not the song of a joyful winner and this is why I believe her version doesn’t work.

The production of the track is far too clean and detached: Karaoke with better backing vocals. The backing was not rerecorded for each X Factor finalist which means that any hope of ‘style’ that the acts might have cultivated for themselves would be buried beneath a non negociable tempo.

The ITV talent show has taken away the necessity of Xmas TOTP. How long before it removes the necessity for the Xmas chart full stop?

Frank. x

P.s- as I have been talking charts…

Got to no. 16 on the most watched uk musician youtube chart (day)

P.P.S

So far am no.67 on the most watched uk muso chart (this week)

Slow news day?

I guess some of you reading this will have noticed articles by the Daily Mail and others talking about an incident that occured during Burnfm’s autumn broadcast concerning commented about a member of Des O’ Connor’s family.

This is not an official statement but these are some facts about the articles that I feel need to be settled.

The DJ’s were not ‘on air’ but on the internet. We were not broadcasting on FM at the time and it was only our first or second week of broadcast.

The incident did not occur earlier this month. It was back in October (the same week as the Ross/Brand scandal) eliminating people’s claims that this was an incident influenced by the Radio 2 duo.

The Burnfm committee were not aware before the incident, that it would be containing the content that it ended up broadcasting.

This term, partly due to not marketing the station, Burnfm has had an average listenership of 6 and a maximum of 28 (during a Sunday afternoon chart show.)

Any other questions, feel free to contact me, frankiepromotes@googlemail.com. I do not want to explain further details as I fear being misquoted (which has stopped me bombarding newsdesks!)

Frank. x

Glasto new talent…

Today I got an email about Q magazine‘s annual Glastonbury New Talent Competition. The competition, in it’s fifth year, gives acts the chance to perform on the main stage at Glastonbury Festival. There is also the opportunity to still perform, even if you don’t become the overall winner.

The thing is…it costs £11.50 to enter. Apparently this covers the cost of the competition etc… but is it really that necessary? Q has its own TV and radio channels, a magazine and is part of the same publishing company as Empire magazine (I bloody love their website.) So why does it have to cost so much? I haven’t got the recordings to win so I doubt I’ll enter unless someone magical flings open their studio doors for me before January 26th! I also wouldn’t know which songs to enter to be honest!

Today, on the advice on fellow Youtubers I decided to buy a guitar strap and am experiencing playing my acoustic standing up. It’s actually not as hard as I was expecting! I noticed however, that there is a lack of tasteful guitar straps on offer- particularly for girls. Perhaps an illustrator might like to have a go?

oooh I’m the 50th most viewed UK musician on youtube again….oh crap Big Brother put up that silly audition video!

 

Frank x

BB…..

Youtube is currently featuring a video by Channel 4 on how to submit an online audition for Big Brother 2009.

C4 have got ex housemates to give advice on how to get onto the show…

The comments on the above video are mostly negative, which show that perhaps Youtube is not the best place for C4 to have attempted a BB partnership…Myspace would probably have been a better bet.

However this comment on the audition video made me laugh

Big Brother sucks a big fat one. George Orwell’s greatest work has been desacrated by this monstrous pile of shit.

To be honest, I don’t think that George Orwell’s work has been desecrated…if anything perhaps more people will have read 1984 because of the Big Brother concept and if they haven’t then they probably don’t associate the phrase Big Brother with literature.

So, why am I posting about this anyway…The thing is, I need somewhere to stay over summer!

Basically I’ve posted a shortened version of a video I’ve already made, (The Youtube Factor) and a new video…

To be honest I haven’t tried very hard, and people who know me know that I’ll end up, if I’m asked to audition, seeking out the producers and asking for work experience! I mean imagine if I was selected…if I was interviewed every session would end with me handing over my business card and trying to blag a reference! I’ve said in my audition that I work in media so I doubt they’d risk me…

I also want to see how the production side of the program works. X Factor is a complete disgrace in terms of how the auditions are portrayed and how they are truly conducted. I admit I watch the live shows but, unlike most others, I don’t watch the auditions. They make me itch.

Ooooh my mum has got two new cats. Dodger is 7 months and Elf is 14 months. They’re from a rescue centre and have seemingly adopted me! I made a video with Dodger and one of the recordings from my Rhubarb Radio session with the lovely Mark Steadman (for his show with Anthony Herron.)

My name in ink

When I was six and being ‘groomed for stardom’ by a weekend stage school the only ambition myself (and my mother) had was for my name to be up in lights on Shaftsbury Avenue.  Thirteen years later I have seen my name in super shiny ink and I couldn’t be happier.

On Saturday morning a bubble wrapped package lay in the hallway of my student house. On seeing the Channel 4 logo I realised the package was for me and spent the next ten minutes joyfully trying to work out how to actually hack my way through to the gloriously bright magazine inside.

It came as quite a surprise to me when I discovered that, despite not winning, I could still make an appearance in the winter issue of 4Talent magazine. I entered the wrong category, without preparing a proper portfolio or giving myself enough time to post hard copies off to Birmingham based 4 Talent Central. (Ironically I usually live in Birmingham for university but was in Kent working for the BBC when I discovered about the awards and it’s nearing deadline for entry.)

Reading through the magazine has given me inspiration for the future- not only because of the advice and professional insight provided by the contributors but also due to the fact that the age cut off for entering the awards is thirty. This means I have eleven years to get myself together!

Without realising, my first foray into journalism came on my16th birthday when I decided to make a documentary on the ‘chav culture’ of a local nightclub titled ‘Ikon or Pikon.’ When I showed this, and other videos to my year eleven form tutor he insisted I show them to the head of media studies and consider the subject itself for A level. I declined the option to study the subject however; I wanted to create media- not study it.

When it came to choosing University I decided to do a subject I could actually stick at for three years and enjoy. I went into uni thinking I wanted to be a theatre director. As I sat in a student union bar full of student drama fanatics I yearned to be in the meeting next door, where my friend was applying for a radio show. A few days later I found the studio and blagged myself a specialist music show. A few months later I was on the committee and in a few days time I will stand for Station Manager.

At first, trawling through online work experience applications and email rejections I imagined I’d never find a placement to set me on a broadcasting career path. I was of the opinion that to get work experience you had to have already had experience and the whole system was an impenetrable system. Now I realise you have to make your own. My way of doing this (again without realising it) was through writing and contributing to blogs and radio.

One of the great things about being a student is the freedom of having an interest free overdraft! I worked for BBC Blast, BBC Radio Kent, Myspace Radio and 4Talent over the summer and found myself owing a lot of money to the bank. The good thing about education is I have a while to pay it back, and as far as I am concerned, the more experience I get, the more likely I’ll be able to once I have graduated.

Recently my University held a ‘Breaking into Broadcasting’ event that I unfortunately missed. My friend, however, didn’t. “It was all scaremongering” my friend said, “They basically said there’s 100,000 British media students and 60,000 broadcasting jobs.” (both of us, not studying media, are not included in that 100,000.) Suddenly I was glad I’d passed up the opportunity to stay at home and write.

These days broadcasting has become increasingly focused on the ‘360’ of television, radio and online. I realise that it’s been three years since my debut documentary and now may be a good time to return to the moving image.

Since getting a Macbook with a built in camera and getting involved in the Internet Zombie Movie (which was referenced in the current issue of 4Talent magazine.) I’ve developed a keen interest in the way that You Tube works. How do you get subscribers for starters, and then how can you become a You Tube Partner and actually make earnings from your home made efforts?

This process I am aware, will not be as simple as creating a blog: I have no budget. My three year old camera makes a horrible whirring sound when I press record and all I really have is my Macbook, but something tells me I can do it…

Well I made it into 4Talent magazine didn’t I?

 

Viral stunts

Today I was thinking about my youtube  aim to get 100 subscribers before my 20th birthday. As of today I have one day less than a month and 7 subscribers to collect. It’s not exactly Bryony Makes a Zombie Movie in terms of ridiculously ambitious deadlines but to me it’s still a challenge.

So if you have any ideas or examples of people who have managed to lobby the usual system of gaining fans through talent and have simply used eyecatching tricks to gain support.

I was thinking maybe hold a sign in the town centre asking people to sub..or at uni, I’m not sure yet.

Wish me luck!

Frank x